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In its 2025-26 season, New York City Ballet will welcome one dancer, Ryan Tomash, and bid farewell to another, Megan Fairchild, who will depart after 25 years with the company. “Megan is absolutely beloved by every single person here within our institution,” Wendy Whelan, City Ballet’s associate artistic director, said. “She’ll be a huge loss…
“It was pandemonium,” Maria Tallchief wrote in her memoir about her “Firebird” debut, in 1949. “The theater had turned itself into a football stadium, and the audience was in a frenzy.” The only thing that went wrong was that they hadn’t rehearsed the curtain calls. Tallchief was New York City Ballet’s first star, a thrilling…
It’s a test tube ballet: an experiment that at first glance might seem like pining for the past. But while Alexei Ratmansky’s new production of “Paquita” finds its footing from ballets of earlier centuries, it lands in the here and now as a daring proposal about legacy and lineage. What makes classical dancing modern? In…
New York City Ballet dancers trickled onstage in mismatched sweatshirts, down vests, practice tutus and leg warmers at the start of a rehearsal for Alexei Ratmansky’s “Paquita.” They disappeared, then reappeared in sleek leotards and tights, crisscrossing the stage to mazurka-like music. Soon the whole coalesced in a great diagonal stretching downstage to upstage, headed…
